Author Archives: swhartley

Me, Myself, and the Market

When was the last time you bought yourself a reward for making it through a tough week? If your answer is “recently,” you’re part of one of the most interesting consumer trends shaping marketing today: self-gifting. For years, marketers focused on helping consumers buy gifts for other people. Today, however, brands are discovering that many consumers, especially Gen Z, are increasingly comfortable purchasing gifts for themselves. Whether it’s a favorite meal, a new piece of jewelry, skincare products, or a small luxury item, self-gifting has become a powerful expression of self-care, personal identity, and celebration.

What’s particularly interesting is that this trend continues even as many consumers face financial pressures. Rather than making large purchases, many are seeking what researchers call “small moments of joy.” For marketers, this creates an opportunity to connect products with emotions, milestones, and personal achievements. Completing a difficult semester, landing an internship, or simply surviving a stressful week can become reasons to celebrate. Brands like Dominos are responding with clever marketing activations and personalized messaging. Rather than explicitly promoting “self-gifting,” companies often use phrases like “treat yourself” or “don’t forget yourself on your shopping list.” Many are also using customer data, such as birthdays and purchase history, to deliver highly relevant offers at the right moment.

The rise of self-gifting demonstrates an important lesson, namely that successful marketers understand how consumers want to feel. As Gen Z’s purchasing power continues to grow, brands that recognize the emotional motivations behind spending may gain a significant competitive advantage. The rise of self-gifting reminds us that some of the most powerful purchase decisions are driven not by obligation to others, but by personal meaning and self-expression.

Discussion Questions and Activities

  1. After watching Domino’s Treat Yo Self ads, do you think the brand is well-positioned to benefit from the self-gifting trend? What types of products or services are best positioned to benefit from this trend?
  2. Why do you think self-gifting has become particularly popular among Gen Z consumers?
  3. How can brands encourage self-gifting without appearing overly promotional or manipulative?
  4. What role does social media play in normalizing and encouraging self-gifting behavior?
  5. How does self-gifting reflect broader changes in consumer values and lifestyles?
  6. Social Media Trend Investigation. Explore self-gifting content on platforms such as TikTok or Instagram and identify common themes, hashtags, and consumer motivations.
  7. Self-Gifting Marketing Audit. Review the marketing materials of three brands that target Gen Z consumers. Identify examples of messaging that encourage self-reward, self-care, or personal celebration. Share your findings and explain why the messaging might resonate with younger consumers.
  8. Design a Self-Gifting Campaign. Working in small groups, create a marketing campaign for a product of your choice aimed at consumers rewarding themselves for completing a milestone (e.g., finishing finals, getting a job offer, or completing a fitness goal). Include a slogan, target audience, and promotional strategy.

Sources: Wheless, Erika (29 May 2026), Self-gifting is on the rise – how brands are cashing in on the consumer trend, Ad Age; Self-Gifting to Take Center Stage for Valentine’s Day 2026 (Feb 2026) Billionmonsters.com.

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The Price of Hype

Would you pay more for a first-round soccer match than a Super Bowl ticket? That question is at the center of a fascinating marketing story unfolding around the 2026 FIFA World Cup. With ticket prices for some matches soaring into thousands of dollars, FIFA is demonstrating the power – and risks – of demand-driven pricing. Fans eager to see stars like Cristiano Ronaldo are paying premium prices, while some consumers and regulators are questioning whether the experience is becoming inaccessible.

At the same time, many consumer brands are moving in the opposite direction. Companies such as McDonald’s, PepsiCo, Target, and Kraft Heinz are introducing lower-priced products, value meals, and smaller package sizes to appeal to budget-conscious customers. Their message to consumers is clear. Affordability can be a powerful marketing strategy.

These two trends highlight an important marketing lesson: successful brands must align pricing with customer expectations and perceived value. FIFA is betting that scarcity, excitement, and emotional attachment will justify higher prices. Consumer brands are betting that value-focused promotions will strengthen customer loyalty and increase sales volume. Both approaches are forms of marketing activation. One leverages exclusivity and urgency to maximize revenue. The other uses promotions and pricing strategies to attract and retain customers. Neither approach is automatically right or wrong. The key question is whether customers believe they are receiving value for the price they pay.

For marketers, the challenge is balancing profitability, brand reputation, and customer satisfaction. When does premium pricing create excitement, and when does it create frustration? That answer may determine whether a campaign becomes a success story or a cautionary tale.

Discussion Questions and Activities

  1. Why are some consumers willing to pay extremely high prices for World Cup tickets?
  2. How does dynamic pricing influence customer perceptions of fairness?
  3. What are the advantages and risks of using scarcity as a marketing strategy?
  4. Why are many major brands emphasizing value and affordability in 2026?
  5. Which strategy is more effective for building long-term customer loyalty – premium pricing or value pricing?
  6. Dynamic Pricing Case Study. Use online resources to research dynamic pricing in sports or entertainment. Review FIFA’s ticketing information at FIFA Ticketing and prepare a short presentation discussing the benefits and drawbacks of dynamic pricing for both organizations and consumers.
  7. Value Promotion Analysis. Visit the websites of brands such as McDonald’s McValue Menu or Walmart’s Great Value Brand. Identify a current value-focused promotion and evaluate its target audience and marketing objectives.
  8. Ticket Pricing Investigation. Research ticket prices for a major sporting event, concert, or festival. Compare face-value and resale prices and explain the marketing factors driving the difference.

Sources: Nassauer, Sarah, Haddon, Heather and Khan, Natasha (28 May 2026) Americans Are Sick of High Prices. Companies Are Finally Doing Something About It, Wall Street Journal; Bachman, Rachel (30 May 2026), The Summer of Price Gouging, Wall Street Journal; Bachman, Rachel (8 May 2026), The World Cup First-Round Game That Costs More Than a Ticket to the Super Bowl, Wall Street Journal.

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Baby Yoda Sells More Than Movie Tickets

What happens when a brand lifts more than just awareness? In the case of The Mandalorian and Grogu, marketers are literally making ads float and partnering with unexpected brands to reach fans in fresh ways.

In Madrid, Disney and Havas Creative stunned passersby with levitating billboards powered by Andtonic’s magnetic technology. These weren’t optical illusions, but rather actual posters hovered over city streets to promote the new film. It’s a bold example of marketing activation, designed to turn sidewalks into unforgettable touchpoints.

At the same time, Archer Meat Snacks launched its first entertainment partnership by teaming up with the very same movie. The campaign spans streaming ads, retail promotions, co-branded packaging, QR-code incentives, and even a Fandango reward for purchasing snack products. It’s a textbook case of co-branding with a rising CPG (consumer packaged goods) brand borrowing the cultural power of a legendary franchise to expand its audience.

Meanwhile, Disney faces a strategic challenge to bring Star Wars back to theaters after a 6½-year break. The stakes are high, and the marketing must appeal to both lifelong fans and new viewers. Floating posters, cross-category partnerships, theme-park integrations, and gaming tie-ins all support one goal: reigniting excitement for a franchise navigating a rapidly shifting media landscape.

Together, these efforts show how modern marketers must blend creativity, technology, and cross-platform strategy to activate fans across generations. Whether it’s a hovering billboard or a bag of co-branded jerky, the Force is in the marketing.

Discussion Questions and Activities

  1. Why do you think Disney invested in dramatic outdoor activations like floating billboards? What marketing objectives do they support?
  2. How does Archer benefit from co-branding with The Mandalorian and Grogu, and what risks and benefits might come with that partnership for Disney and Archer?
  3. Which parts of Disney’s multi-platform strategy (theme parks, streaming, gaming, merchandise) do you think matter most for revitalizing the franchise? Why?
  4. How do promotions like QR-code movie rewards influence consumer behavior? If movie theater attendance continues to decline, how should studios rethink their marketing mix?
  5. Ad Intelligence. Using the free social media ad tracking tool Ad Library, ask students to search Disney’s “The Mandalorian and Grogu” ad partnerships to locate active or recent ad creatives across Meta platforms. For each brand, identify the visual style and tone of the ads and the target market.
  6. Marketing Activation Breakdown. In small groups, create a short “activation map” showing every customer touchpoint used in this campaign including Out-of-home (OOH), digital, retail, etc. Identify which touchpoints work best for younger audiences.
  7. Co-Branding Pitch. Students pair up and pick a snack brand. Their task is to design a co-branding idea with a major entertainment franchise. Present the target audience, the creative concept, and a promotional reward.

Sources: Kelly, Chris (13 April 2026), Archer Meat Steaks and The Mandalorian and Grogu, MarketingDive; Masunaga, Samantha and Greene, Sean Greene (23 May 2026) Can Disney recapture the Force with ‘The Mandalorian and Grogu’? Los Angeles Times; Nudd, Tim (22 May 2026), The Force is strong with Havas Creative’s new Star Wars billboards in Spain, Ad Age.

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